Trace:

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Next revision
Previous revision
arm_workshop [11.04.2022 12:49] hildearm_workshop [03.03.2023 17:18] (current) admin
Line 4: Line 4:
 **//Marte Aas//** is a photographer and filmmaker living in Oslo. Her main area of interest is the intersection between contemporary image culture, history, technology and landscape. Her work attempts to address underlying structures and gestures that form political and ideological narratives. The different subjects of interest visualizes in the form of films, photographs and installations, folding them into non-linear and layered narratives. [[https://marteaas.com/]] **//Marte Aas//** is a photographer and filmmaker living in Oslo. Her main area of interest is the intersection between contemporary image culture, history, technology and landscape. Her work attempts to address underlying structures and gestures that form political and ideological narratives. The different subjects of interest visualizes in the form of films, photographs and installations, folding them into non-linear and layered narratives. [[https://marteaas.com/]]
  
-**//Marielle van Dop//** is a Dutch photographer and writer who, after spending a year in the Slettnes Lighthouse in 2014-2015, decided to move permanently from the Netherlands to make a new living in the village of Gamvik. In the Netherlands she taught, among other things, nature-awareness for more than 15 years. It is the primal nature in the very North that attracts her, and during long walks together with her dog Laila, she seeks to connect and communicate, as well as taking photos and writing about her experiences with her surroundings.  [[https://http://www.tothelighthouse.info/]]+**//Marielle van Dop//** is a Dutch photographer and writer who, after spending a year in the Slettnes Lighthouse in 2014-2015, decided to move permanently from the Netherlands to make a new living in the village of Gamvik. In the Netherlands she taught, among other things, nature-awareness for more than 15 years. It is the primal nature in the very North that attracts her, and during long walks together with her dog Laila, she seeks to connect and communicate, as well as taking photos and writing about her experiences with her surroundings.  [[https://www.tothelighthouse.info/]]
  
-**//Miriam Jakob//** is a choreographer, performer and artist researcher living in Berlin. With a background in social anthropology her works question the relationship of individual and collective patterns. “Breathing With“ (with Jana Unmüßig) investigates the multiple relations between human and more-than-human actants with and through breath, posing questions such as how can sensory perception and imagination influence each other, and how can polyphonic rhythms be perceived as integral components? Her work explores possible ways of imagining living together through listening and storytelling. To shift perspectives and generate differently structured modes of knowledge (corporal, theoretical, practical), and to combine them, is a way to approach non-hierarchically knowledge production and a necessary fiction.  [[https://miriamjakob.com]]+**//Miriam Jakob//** is a choreographer, performer and artist researcher living in Berlin. With a background in social anthropology her works question the relationship of individual and collective patterns. “Breathing With“ (with Jana Unmüßig) investigates the multiple relations between human and more-than-human actants with and through breath, posing questions such as how can sensory perception and imagination influence each other, and how can polyphonic rhythms be perceived as integral components? Her work explores possible ways of imagining living together through listening and storytelling. To shift perspectives and generate differently structured modes of knowledge (corporal, theoretical, practical), and to combine them, is a way to approach non-hierarchical knowledge production and a necessary fiction.  [[https://miriamjakob.com]]
  
-//**Peeter Laurits**// is an artist living in Tallinn who works with photography and digital manipulation. First, he was engaged with a media-critical approach, but soon turned to deep ecology, moved into woods and combined the neolithic methods with post-industrial ones, both in his art and lifestyle. He has enriched the tools for photographic expression and broadened the role of photography in the Estonian cultural space. Currently the focus in his work is on posthumanist ethics, and he has recently initiated the platform Biotoopia in Estonia. [[https://biotoopia.ee/about-biotoopia//|Biotoopia 2019]]. [[https://www.peeterlaurits.com/]]+//**Peeter Laurits**// is an artist living in Tallinn who works with photography and digital manipulation. First, he was engaged with a media-critical approach, but soon turned to deep ecology, moved into thewoods and combined the neolithic methods with post-industrial ones, both in his art and lifestyle. He has enriched the tools for photographic expression and broadened the role of photography in the Estonian cultural space. Currently the focus in his work is on posthumanist ethics, and he has recently initiated the platform Biotoopia in Estonia. [[https://biotoopia.ee/about-biotoopia//|Biotoopia 2019]]. [[https://www.peeterlaurits.com/]]
  
-//**Ina Otzko**// is an artist living between Northern Norway and Southern Italy. With a background in both photography, fine art and experimental sound, her work revolves around communication and connections, the invisible and visible, the familiar and unfamiliar, longing and belonging. Using the method of Deep Listening in exploring the tidal rhythms she seeks to further the research of the language and body of water. +//**Ina Otzko**// is an artist living between Northern Norway and Southern Italy. With a background in both photography, fine art and experimental sound, her work revolves around communication and connections, the invisible and visible, the familiar and unfamiliar, longing and belonging. Using the method of Deep Listening of Pauline Oliveros in exploring the tidal rhythms she seeks to further the research of the language and body of water. 
 [[https://www.inaotzko.net/]] [[https://www.inaotzko.net/]]
  
Line 16: Line 16:
 [[https://margrethepettersen.com/]] [[https://margrethepettersen.com/]]
  
-//**Sakib Saboor**// works as an art mediator in Fotogalleriet in Oslo. He grew up partly in Norway, partly in Pakistan. His initial jobs have been within commercial photography, while at the moment he is exploring artistic photography, aiming at pursuing it within his career and further education. As a Fotogalleriet collaborator of one of the ARm organizers, Hilde Methi, he is interested in learning, documenting (by analog and digital photography), and transferring knowledge for a future collaboration.+//**Sakib Saboor**// works as an art mediator in [[https://www.fotogalleriet.no/|Fotogalleriet]] in Oslo. He grew up partly in Norway, partly in Pakistan. His initial jobs have been within commercial photography, while at the moment he is exploring artistic photography, aiming at pursuing it within his career and further education. As a Fotogalleriet collaborator of one of the ARm organizers, Hilde Methi, he is interested in learning, documenting (by analog and digital photography), and transferring knowledge for a future collaboration.
  
-//**Torgeir Vassvik**// is a musician and composer living in Oslo. His work aligns within the continuity of the coastal Sámi music tradition, and the nuances and variations that are evident in the animistic yoik and the vocal art originating from the Sámi music world, in a longterm  prism. Since 1995, he has been developing an impressive expression, best described as progressive yoik. In recordings from wax rolls made from between 1906 and 1916 by Karl Tiren, he found a reliable source of what Sámi music has been and can be. This audio treasure is, together with rhythms and voices encountered in Siberia, the Sakhalin Peninsula and among the Aino people in Japan, what inspires and develops his work. +//**Torgeir Vassvik**// is a musician and composer living in Oslo. His work aligns within the continuity of the coastal Sámi music tradition, and the nuances and variations that are evident in the animistic yoik and the vocal art originating from the Sámi music world, in a long term perspective. Since 1995, he has been developing an impressive expression, best described as progressive yoik. In recordings from wax rolls made from between 1906 and 1916 by Karl Tiren, he found a reliable source of what Sámi music has been and can be. This audio treasure is, together with rhythms and voices encountered in Siberia, the Sakhalin Peninsula and among the Aino people in Japan, what inspires and develops his work. 
 [[https://vassvik.com/]] [[https://vassvik.com/]]
  
Line 29: Line 29:
 **//Signe Lidén//** is an artist based in Oslo, Norway. Her work explores relations between place, sensing and sound. Through field recording, instrument building and conversations, she approaches place as a dynamic becoming produced by geological, biological and atmospheric processes, as well as social and economic relations. Her work spans from sound installations, video and performance to more documentary forms such as sound essays and archives. **//Signe Lidén//** is an artist based in Oslo, Norway. Her work explores relations between place, sensing and sound. Through field recording, instrument building and conversations, she approaches place as a dynamic becoming produced by geological, biological and atmospheric processes, as well as social and economic relations. Her work spans from sound installations, video and performance to more documentary forms such as sound essays and archives.
  
-**//Arjen Mulder//** is an independent writer living in Amsterdam (NL), with a background in botany, media theory and semiotics. His research is focussed on understanding the modern world from the point of view of plants. Morphology and morphogenesis are his entrypoint into a realm where vegetal intelligence and the elements combine to make living beings. Recent publications in English: {{ :arjen_mulder_the_world_according_to_plants_def_.pdf |//The World According to Plants//}} 2020, {{ :the_internal_and_external_world_of_plants_by_arjen_mulder.pdf |//The Internal and External World of Plants//}} 2021 and //The Tides and the Algae// 2021. +**//Arjen Mulder//** is an independent writer living in Amsterdam (NL), with a background in botany, media theory and semiotics. His research is focussed on understanding the modern world from the point of view of plants. Morphology and morphogenesis are his entrypoint into a realm where vegetal intelligence and the elements combine to make living beings. Recent publications in English: //{{ :arjen_mulder_the_world_according_to_plants_def_.pdf |The World According to Plants}}// 2020, //{{ :the_internal_and_external_world_of_plants_by_arjen_mulder.pdf |The Internal and External World of Plants}}// 2021 and //The Tides and the Algae// 2021. 
  
-**//Hilde Methi//** is an independent curator living in Kirkenes, in Northeastern Norway. She builds up long-term collaborations infusing artistic ideas in local settings within small-scale formats to more extensive productions as [[https://www.darkecology.net/about|Dark Ecology]], which over three years commissioned several site-responsive works in the Norwegian-Russian border zone (with Sonic Acts). She also curates for institutions (such as Lofoten International Art Festival – LIAF 2019), she writeshas published and co-edited books, most recently //The Kelp Congress// (2020).   +**//Hilde Methi//** is an independent curator living in Kirkenes,  Norway. She builds up long-term collaborations infusing artistic ideas in local settings. She is interesting in small-scale formats, but has also conceived more extensive productions as [[https://www.darkecology.net/about|Dark Ecology]] (with Sonic Acts). She curates exhibitions and programmes for institutions (as Lofoten International Art Festival LIAF 2019 and [[https://samidaiddaguovddas.no/en/making-form/|Hábmi hámi]] for Sámi Dáiddaguovddáš). She writes and has been publishing and co-editing artist-books and anthologiesthe most recent, //The Kelp Congress// (2020).