Academy of Rhythmorphology

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material_rhythms [10.12.2024 18:40] – [ARm #2] hildematerial_rhythms [20.12.2024 05:34] (current) – [ARm in "Electrification, ripples and a glass plate" at Fotogalleriet] hilde
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 =====ARm #2===== =====ARm #2=====
-A public art programme at Bekkelaget in September 2023. During 2 days around Full Moon the various presentations connected the sensorial with the rhythmic relations of the place.+A public art programme at Bekkelaget in September/October 2023. During 2 days around Full Moon the various presentations connected the sensorial with the rhythmic relations of the place.
  
 //Lumen Dialogues// exhibited by **Sakib Saboor**\\ //Lumen Dialogues// exhibited by **Sakib Saboor**\\
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 "History of the Tide” by **Arjen Mulder**\\ "History of the Tide” by **Arjen Mulder**\\
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-“Joik Noir - Find your Voice” by **Torgeir Vassvik** (afternoon session)\\+//Joik Noir - Find your Voice// by **Torgeir Vassvik** (afternoon session)\\
  
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-Photos: Michael Miller\\ +Photos: **Michael Miller**\\ 
-Photos 'Lumen Dialogues': Sakib Saboor+Photos 'Lumen Dialogues': **Sakib Saboor**
  
 =====ARm in "Electrification, ripples and a glass plate" at Fotogalleriet===== =====ARm in "Electrification, ripples and a glass plate" at Fotogalleriet=====
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-The idea behind ARm's //Tidal Relief// is to display material that stems from the ARm's explorations (so far) in an exhibition context. All involved in ARm are sharing materials: **Marielle van Dop,** **Miriam Jakob**, **Peeter Laurits**, **Margrethe Pettersen**, **Ina Otzko**, **Sakib Saboor**, **Torgeir Vassvik**, **Izabela Żółcińska**, **Marte Aas**, **Arjen Mulder** and **Signe Lidén**, and together they participate in the exhibition //Electrification, ripples and a glass plate// curated by **Hilde Methi** at Fotogalleriet, Oslo, 27.09 -12.11.2023.+The idea behind ARm's //Tidal Relief// was to display material that stemmed from the ARm's explorations in Slettnes in June, 2022 as a 'group-installation' in an exhibition context. **Marielle van Dop,** **Miriam Jakob**, **Peeter Laurits**, **Margrethe Pettersen**, **Ina Otzko**, **Sakib Saboor**, **Torgeir Vassvik**, **Izabela Żółcińska**, **Marte Aas**, **Arjen Mulder** and **Signe Lidén** contributed materials or artworks. 
  
 {{:utstilling_07_l.jpg?direct&600|}} {{:utstilling_07_l.jpg?direct&600|}}
  
-Above: Two drawings mounted on a juniper branch, A3 format, hand-dyed silk from mushroom water embroidered on paper and text (poem), mounted on a spiked juniper branch, by **Margrethe Pettersen**.+Above: Two drawings mounted on a juniper branch, A3 format, hand-dyed silk from mushroom water embroidered on paper and a poem written at Slettnes mounted on a spiked juniper branch, by **Margrethe Pettersen**.
  
 Under: //Wave machine// by **Marte Aas**: three Sony monitors, super-8mm film transferred to HD video.  Under: //Wave machine// by **Marte Aas**: three Sony monitors, super-8mm film transferred to HD video. 
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 Above: //The Breathing Diary// by **Izabela Żółcińska**: drawing on wall and window, graphs from breath sensor and hand-drawn illustration, 770 x 57 cm. The artist recorded the diary's breathing data under the Academy of Rhythmorphology #1 at Slettnes, 71°05' N 28°13' E. The work includes the breathing parameters of Izabela Żółcińska and Miriam Jakob, in addition to information about the tide levels recorded by the Kartvesenet (mapping authority) in the same period. The graph shows the air the artist inhaled and exhaled during one hour. Made in collaboration with Sagar Sen, senior researcher, Sintef.  Above: //The Breathing Diary// by **Izabela Żółcińska**: drawing on wall and window, graphs from breath sensor and hand-drawn illustration, 770 x 57 cm. The artist recorded the diary's breathing data under the Academy of Rhythmorphology #1 at Slettnes, 71°05' N 28°13' E. The work includes the breathing parameters of Izabela Żółcińska and Miriam Jakob, in addition to information about the tide levels recorded by the Kartvesenet (mapping authority) in the same period. The graph shows the air the artist inhaled and exhaled during one hour. Made in collaboration with Sagar Sen, senior researcher, Sintef. 
  
-Above and Below (left): Posters by **Peeter Laurits**, including ARm #1 group photo and documentation of activities. +Above and Below: Posters by **Peeter Laurits**, including ARm #1 group photo and documentation of activities. 
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-Below (right): //How’s Your Heart?// by **Ina Otzko**, framed polaroid.+Below (left) 'Poster' by **Laurits** and (right): //How’s Your Heart?// by **Ina Otzko**, framed polaroid.
 The photograph shows the light from the moon moving through a fall due to the strength of the wind and intense storm. The photo was captured as part of a series over three days during the year's first full moon. The photograph shows the light from the moon moving through a fall due to the strength of the wind and intense storm. The photo was captured as part of a series over three days during the year's first full moon.
  
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 Below: Headphones with sound, by **Miram Jacob**, //Phantasmagorical Breathscapes//. Below: Headphones with sound, by **Miram Jacob**, //Phantasmagorical Breathscapes//.
 On a journey in an imaginary landscape, the rhythm of the breath meets elemental forces such as gravity, the rhythmic pull of the tide, and our deep attraction to the earth. Based on Ilse Middendorf's instructional work, the sensible breathing method operates on the threshold between conscious and unconscious breathing. One of the technique's main principles is to let the breath come and go by itself. The method has no compulsion, and the breath is never controlled. Field recording, music, and sound design by Felix Claßen at Osthafen Studio Berlin. Listen to the breathscape here:  On a journey in an imaginary landscape, the rhythm of the breath meets elemental forces such as gravity, the rhythmic pull of the tide, and our deep attraction to the earth. Based on Ilse Middendorf's instructional work, the sensible breathing method operates on the threshold between conscious and unconscious breathing. One of the technique's main principles is to let the breath come and go by itself. The method has no compulsion, and the breath is never controlled. Field recording, music, and sound design by Felix Claßen at Osthafen Studio Berlin. Listen to the breathscape here: 
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 {{ ::miriam_jakob_soundpiece_arm_20230914_1_.mp3 |}} {{ ::miriam_jakob_soundpiece_arm_20230914_1_.mp3 |}}
  
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 Photo credit: Rolf Larsen, except from documentation of //Wave machine// by Marte Aas where the artist is to be credited. Izabela Żółcińska is to be credited for the two last images of her work.   Photo credit: Rolf Larsen, except from documentation of //Wave machine// by Marte Aas where the artist is to be credited. Izabela Żółcińska is to be credited for the two last images of her work.  
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 +//Tidal Relief// was presented along individual works by **Bente Geving**, **Anne Lindgaard Møller**, **Moten Torgersrud** and **Ellisif Wessel** in the exhibition called //Electrification, ripples and a glass plate// curated by **Hilde Methi** at Fotogalleriet, Oslo, 27.09 -12.11.2023.