Academy of Rhythmorphology

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material_text [12.11.2021 10:45] – signematerial_text [25.09.2022 16:35] (current) – signe
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 +======History of the Tide by Arjen Mulder======
 +
 +{{ :history_of_the_tide_arm_1.pptx |}}
 +
 +====== The Tide and the Algae====== 
 +Arjen Mulder
 +
 +{{ :the_tide_and_the_algae_by_arjen_mulder.pdf |}}
 +
 +====== Thinking Tide, Sensing Scale ======
 +Hilde Methi
 +
 +{{ :thinking_tide_sensing_scale_aanp_eng.docx-2.pdf |}}
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 ====== A Course in Rhythmorphology ====== ====== A Course in Rhythmorphology ======
 Signe Lidén and Arjen Mulder Signe Lidén and Arjen Mulder
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 (This text was published in [[https://nnks.no/en/kunstkanalen/tangboka/|The Celp Congress/Tangboka]]) (This text was published in [[https://nnks.no/en/kunstkanalen/tangboka/|The Celp Congress/Tangboka]])
  
-AM: In your podcast for The Tidal Sense, Grace Dillon refers to the importance of acknowledging the personhood of the ocean and tide. During the time spent in the tidal zone at your residency at Ramberg, Signe, do you consider the tidal surge as a person?+AM: In your [[https://signeliden.com/?page_id=1880|podcast]] for The Tidal Sense, Grace Dillon refers to the importance of acknowledging the personhood of the ocean and tide. During the time spent in the tidal zone at your residency at Ramberg, Signe, do you consider the tidal surge as a person?
  
 SL: Maybe not as a person but with personhood, does that make sense? Perhaps because of the sense of singularity of a person, whereas I experience the tide as a multitude, a force where multiple beings meet in rhythmic relation. Thanks to the length of the residency, I was taking part in that tidal rhythmicity over days, weeks and months. It was such a sensory experience, quite hardcore some days when the wind and waves were fierce. Then I regretted the idea of stretching a sonic sail through the intertidal zone. At the same time, the dimensions of the sail, or the recording membrane as I call it, pushed the human “horizon” of experience because one can listen to the whole length of the zone at the same time, both under and above water. A colleague described the experience as a scaling. I think scale is a really useful conception with reference to maps, measurements and music. So in a way the recording membrane widens the human scale into the tidal … into the tidal person. Here you go.  SL: Maybe not as a person but with personhood, does that make sense? Perhaps because of the sense of singularity of a person, whereas I experience the tide as a multitude, a force where multiple beings meet in rhythmic relation. Thanks to the length of the residency, I was taking part in that tidal rhythmicity over days, weeks and months. It was such a sensory experience, quite hardcore some days when the wind and waves were fierce. Then I regretted the idea of stretching a sonic sail through the intertidal zone. At the same time, the dimensions of the sail, or the recording membrane as I call it, pushed the human “horizon” of experience because one can listen to the whole length of the zone at the same time, both under and above water. A colleague described the experience as a scaling. I think scale is a really useful conception with reference to maps, measurements and music. So in a way the recording membrane widens the human scale into the tidal … into the tidal person. Here you go. 
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 AM: Ok, let's make a course plan ... AM: Ok, let's make a course plan ...
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 //ACADEMY OF RHYTHMORPHOLOGY //ACADEMY OF RHYTHMORPHOLOGY